The Practise of Live Cinema

by Mia Makela aka SOLU (corrections in english by Sairica Rose)

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ABSTRACT

This paper is an examination of the artistic practise of live cinema, a recently coined term for realtime audiovisual performances. I will discuss the essence of contemporary live cinema by presenting its essential elements and comparing the methods of live cinema with those of cinema and VJng.

Accepted to the following events:

PerthDAC 2007
The Future of Digital Media Culture

Perth, Australia

ARTECH 2008
4th International Conference on Digital Arts

Porto, Portugal

Published in a:mínima magazine.

SOLU edited a special issue on LIVE CINEMA for a:minima magazine in December 2007


LIVE CINEMA language and elements

Final thesis work from media lab by Mia Makela aka SOLU
(corrections in english by Sairica Rose, tutor: Laura Baigorri)
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ABSTRACT


This thesis reviews the influences and explores the characteristics and elements of live cinema, a recently coined term for realtime audiovisual performances. The thesis discusses the possible language of live cinema, and proposes “vocabulary and grammar”.

LINKED:

http://www.informatics.sussex.ac.uk/
http://fluate.net/links/
http://www.vjforums.com/
http://www.answers.com/
http://blowup.kohlberger.net/

http://movingimg.blogspot.com/
http://www.dariola.net/?page_id=50

 

VJ Scene in Spain

by Mia Makela aka SOLU

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Published in

vE-jA:Art+Technology of Live Audio/Video

 



Narrative structures for live cinema

An Interview with Solu By Niels van Tomme (Translated by Eva Nieuwdorp)


Published in

Published in RUPTURE MAGAZINE, 2005

> in dutch
> in english


 

Solu Dot Org : VJ Interview

An Interview with Solu By Jean Poole

 


Kurt Heintz, editor of e-poets:


The VJ today is an emerging artist archetype. Like an e-literature artist, the VJ works in -- and sometimes struggles with -- new media. Like a hip-hop artist, the VJ is often consumed with "mixology" -- seeking the right blend between music, image, and moment.

Like a performance poet, the VJ performs in time before an audience. Like a poetry video artist, the VJ works in the cinematic domain hybridized with other arts. Some VJs aim purely for "eye candy" while others aspire to fine art. Many aspects of a VJ's work harken to arts often celebrated on e-poets.net.

As VJs elevate the creation of video art toward performance at a real-time improvised pace, artists in related disciplines should be hearing echoes of their own work, coming back at them with more fantastic technology. The computer and attendant live imaging software, the DVD player, and digital effects units are standard gear in the kit of many VJs.
But visual improvisation, the ability to create original video art in the moment with little forethought, is beginning to approach the degree of lucidity practiced by hiphop spoken word artists and jazz musicians. Not long ago, such technology confounded improvisation.

Today, it accelerates it. The massive amounts of customized technology needed ten years ago by performance groups such as EBN (Emergency Broadcast Network) have faded away, replaced by systems that are highly portable, cheap, and aesthetically flexible. As the conceptual processes underlying jazz have now come to electronic visualization in a broad manner, we can say that technology has changed, and for the better.

This is just the kind of transition in technology that signals a watershed moment, and enables the emergence of a new art. So now is a good time to get acquainted with the mixology if the image. To that end, e-poets.net offers a conversation with European VJ, SOLU, as she dialogued with Aussie writer and VJ tech' maestra Jean Poole.


Published in
3DMag, Australia

You can find the interview also here:
http://www.e-poets.net/
http://blog.gmane.org/
http://vjglitch.tribe.net/threads


 

 

La Cultura de los VJs:
De la Industria del Loop a Escenarios en Tiempo Real


Texto: SOLU
Traduccion: La Universidad de Sevilla (Correcciones : Jose Luis de Vicente)

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Descargar CATÁLOGO de REPEAT PLEASE _ CULTURA VJ (3,78MB)

Publicado en julio 2004 y en septiembre 2007 en los catálogos de Zemos98

Puedes leer el articulo también aqui:
www.vjspain.com




VJ Culture: From Loop Industry To Real Time Scenarios

Texto: SOLU

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The article can be found also here:
www.eye-con.tv
breakzqueen.com

share.dj
www.sistersf.com
bobblehead.org

Commissioned by Repellent magazine
published in March2004

 

METAPET –: genetic code in the service of the brave new corporate world

An interview with Natalie Bookchin by Mia Makela

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Published by
Intelligent Agent


read also:
GAME as CRITIC as ART. 2.0.
by Laura Baigorri

see also:
Natalie Bookchin: AGORAXCHANGE

 


Micromusic Nonstop

Texto: SOLU

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Texto: Mia Makela
Published in Repellent magazine 2002
Can be found also @ RIXC online reader in english or in latvian (!)

 




Report on transmediale02

TM_report by Mia Makela/fiftyfifty.org
Transmediale, Berlin 5-10.2/02

small is beautifull

A packet switching conversation between Mia Makela and Vanni Brusadin


Published in
Subsol
(2002)
Published in AN@RCHITEXTS
Essays in Global Digital Resistance (2002)
Edited by Joanne Richardson
Published by Autonomedia